Collection of all three Mighty Ducks adventures following the fortunes of a very special ice hockey team. In 'The Mighty Ducks Are the Champions' (1993) Gordon Bombay (Emilio Estevez) is a luckless yuppie forced to do community service after being caught drink driving. His penance is to train one of the worst ice hockey teams in the world. However, while Gordon tries to whip them into shape, he learns from his new team that winning is not always everything. In 'D2 - The Mighty Ducks' (1994), the action takes place at the Junior Goodwill Games in LA, as Bombay is invited to lead Team USA to victory over the favourites, Iceland, whilst also having to cope with the distractions of an enveloping media circus. In 'D3 - The Mighty Ducks' (1996), the Ducks are about to begin a scholarship at a prestigious new school, which means a new, no-nonsense coach (Jeffrey Nordling). An icy reception from the school hockey team results in a loss in the Ducks' form. Can they defeat the unbeaten senior team and regain their reputation?

The story is about a little rat named Cheese. He was once a lab rat in Toronto in a secret lab underground in the sewers. The scientists used him for an experiment. When Cheese fell into a toxic vat of waste, it changed his life, and he developed all these crazy powers.

Overcoming the Exploitation of Passion in Videogame Labor: Passion Play examines the intersection of passion, precarity, and collocation to pinpoint where and how interventions can be made towards better working conditions. Jackson contends that videogames and passion are inextricably linked and explores this intrinsic link where passion is expected and valorized, be it in the context of play, work, or culture. Passion, Jackson argues, is the connective tissue that sews together the shared experiences that people all over the world will undertake through videogames, including that's winning close matches, experiencing new worlds, and forging new friendships. This book interrogates the outcomes of when labour, videogames, and passion collide - work and play become inextricably linked, and suddenly a 'passion for games' becomes an insistent and expected 'passion for work.' This, Jackson ultimately posits, leads to the current reality of much of the videogame production industry, where passion is used as a workplace policing tool and a way to push workers to periods of extended work, or crunch periods. Through theorizations regarding passion, bodies, assembly, and assemblage, this text wrestles with what can be done to manifest real change in the videogame industry. Scholars of media studies, technology, and labour studies will find this book of particular interest.